Love seeing the big embrace of Manhattan Night in so many theaters in Mexico! Click on the gallery below to advance the images.
Good work by distributor Sky Media and by Art Kingdom Agency for getting the word out.
Love seeing the big embrace of Manhattan Night in so many theaters in Mexico! Click on the gallery below to advance the images.
Good work by distributor Sky Media and by Art Kingdom Agency for getting the word out.
One of the fun things about having a movie released internationally is hearing reactions from very different places. When someone I've never met from a country I've never been to takes the time to send a note saying how much they enjoyed the film, it really makes me smile. Here's a note from such a person that I'm posting to share with cast and crew so they can see this appreciation for their work.
Hello Brian
I've been eagerly waiting for the release of Manhattan Night knowing it would be a very special movie experience - and it most certainly was: It's an absolutely brilliant noir thriller with a beautiful visual style, an amazing cast, a great atmosphere and a gripping story.
You've created a superb and completely unforgettable movie and I’m thrilled to have it in my collection. I've already seen it twice and in fact I'm looking forward to watching Manhattan Night again very soon - I intend to visit this particular world many times.
Having made a movie of this caliber must be extremely satisfying for you.
I´m also extremely excited about the prospect of a new feature project from DeCubellis Films and I sincerely hope you'll make another character-driven thriller since you're a supremely gifted writer/director, born to make these movies.
I wish you all the best.
Kind regards Bjoern Hoegh, Denmark.
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Many thanks for that Bjoern. Your note is very appreciated!
With the release of Manhattan Night by Lionsgate Premiere here in the U.S (was in select theaters in May, currently on cable on demand, itunes, Amazon, Netflix Blu Ray and DVD) and the international release by distributors all over the world, (as Manhattan Nocturne) 2016 was a special year here at DeCubellis Films.
2016 sees the release of the film in Australia, Belgium, Netherlands, Luxembourg, Germany, Greece, Israel, Korea, Middle East, Philippines, Poland, Scandinavia, South Africa, and Taiwan, with the roll out continuing in 2017 in Bulgaria, China, Former Yugoslavia, France, Hong Kong, India, Italy, Japan, Latin America, Portugal, Spain, Thailand, Turkey and the U.K.
Belgium, Netherlands, Luxumbourg
Poland
Germany
Greece
Korea
Japan
France
Latin America
Denmark
Thanks to 13 Films for the international sales, to all our distributors in those territories, and to our amazing cast and crew, to MN producing partners; Fable House, Untravelled Worlds, Sparkle Roll Media, Tom Guida, Nocturne Pictures, Big Indie Pictures, Richard Abate, Will Rowbotham/3 Arts Entertainment , Sandy Climan, MN novelist Colin Harrison, Co-Producers, Sean Moran and Associate Producers, the domestic sales, acquisition and distribution teams respectively; Paradigm, Grindstone Entertainment Group, and Lionsgate, and to the premiere team at Real Clear Life Media for making Manhattan Night a success.
Looking ahead to 2017 we are excited to be announcing a new feature project soon!!
Have a wonderful Holiday Season, and here’s to more collaborations in 2017!
SO excited to announce the Manhattan Night Original Music Soundtrack is now available on iTunes and Spotify and more!! 23 tracks featuring the GORGEOUS orchestral score written by Joel Douek, orchestrated by Greg Pliska. Songs that I wrote, Jay Levine produced and are performed by Lucy Woodward, Catey Shaw, Julian Soto, and Cuban Missile Crisis. Andy Kadison, Campbell Scott, Jay and myself.) Go on the evocative musical journey that is Manhattan Night!
A number of keen observers of MANHATTAN NIGHT have noticed a unique wire sculpture of an animal, head hidden behind Steven Berkoff in the the scene when Adrien Brody's character is first summoned to Hobbs' office. Some have pondered at the symbolism : Is Hobbs a sly fox hiding his head from the shame of his secret? For those who have listened to the Blu Ray/ DVD commentary have learned, it is a fox! The sculpture is a one of a kind by artist Mark Holme as part of his amazing Wild Wire series. Click on the fox to see more of the amazing collection.
Production designer Lisa Myers and I had fun designing the Hobbs office. When we knew we wanted a painting to go behind him, the image of the shark about to eat the man lost in the water sprung to mind from my childhood. That painting "Watson and The Shark" by John Singleton Copley, was part of Reader Digest book of paintings that fascinated/ scared me when I was around 6 or 7 years old. More on the painting by clicking below.
Lisa was able to get a high res digital copy from the National Museum of Art and print it on canvas for the set. Many artists work can be seen in this film, but wanted to shout these out in this scene. All part of the fun of making a movie.
One of the many fun things about making a movie is putting together the BONUS material for the DVD/Blu Ray. (BTW if you haven't upgraded to Blu Ray yet, join us in HD) Was a blast to do the audio commentary with Campbell Scott and Cinematographer David Tumblety. The discs also feature some insightful behind the scenes, as well as 4 extended scenes in the bonus section: Porter and Caroline's first night (gold from Adrien Brody and Yvonne Strahovski that I hated to lose), Simon's proposal (in one long take in a tour deforce by Campbell) Simon and Billy negotiating with the prostitute (again in one take with great performances from Campbell, Will Beinbrink, and Maria Christina Oliveras,) and Porter confronting Hobbs (Adrien and Steven Berkoff toe to toe). So while the movie can be viewed or owned on cable on demand, and iTunes and Amazon right now, the real fun of the Blu Ray/DVD is all the bonus fun, reviewed well here by Ken Tasho (both Blu Ray and DVD have all the bonus material and also come with a code for a digital copy to own as well btw)
This past Friday, Manhattan Nocturne (Canadian title) had it's Canadian Premiere as part of the Wilson Oakville Film Festival. The entire OFFA team and the great audience made me feel so welcome. From the red carpet to the Q&A and afterparty, there was so much appreciation for this film. Most especially for the performances of Adrien Brody, Yvonne Strahovski, Campbell Scott, Jennifer Beals, Linda Lavin and Steven Berkoff. Thank you OFFA for a memorable and wonderful weekend! On a side note, I took advantage of being close enough to visit my favorite building in Toronto, location of the Rush Moving Pictures album cover.
The day has finally arrived! Here's a rundown of where you can see the movie. Check your regular listings for exact theater and times but you will find the movie in the following cities:
Atlanta
Boston
Cleveland
Los Angeles
Minneapolis
New York City
Orlando
Philadelphia
Phoenix
Providence (East Providence)
Seattle - Tacoma
Washington DC
The film is also available On Demand on most major cable carriers. Use search function to find it and enjoy in the comfort of home (with the room as dark as possible).
In addition to the 7:05 AMC Empire 25 Times Square in NYC screening tonight (which is sold out but other times are not yet) I will attend the special screening at Ridgefield Playhouse tomorrow night 5/21 as part of the new Ridgefield Independent Film Festival (RIFF) with Q&A and cocktail reception to follow. Still some seats avail at riff.website. Sunday night 5/22 I'll be at the 7:15 showing in East Providence with the hometown crowd. Tickets available online, though sound like they are going fast.
Thanks for the tremendous support of this dream come true. I couldn't be more excited, proud and grateful.
I'm getting excited to do the Q&A at RIFF on May 21! Makes me start thinking of all the great memories in making Manhattan Night. This photo was snapped during our first morning on set together doing the first scene of the day. (Where Porter is on a story at the beginning of the movie). Adrien asked if Porter should be wearing a hat in that scene. The hat was Adrien's idea and it was a great one because it would pay off in later scenes as well. We would also always check in about if Porter should be chewing gum in a scene. On page 3 of the novel Manhattan Nocturne it says that Porter chewed a lot of bubble gum. There was a rational to the gum chewing in our movie thinking. It went with Porter on the beat - process related, literally "chewing on it" as he worked on his stories. It also calmed Porter when he had to face something unpleasant or stressful. Or it was a reward to follow such a thing, reminding him of his childhood. Nostalgic and soothing. So before each set up of an exterior scene we'd look at each other and say "hat"? "gum"? After a while we both had the same intuitive sense and that turned into "hat and gum" or "No hat, no gum" "hat no gum" or "gum no hat" One of the many things that I loved about working with Adrien is that he also valued the choices in the tiniest details and appreciated the consideration tree that comes with them. Anyway, lots to share for that Q&A! Looking forward to your questions!
Tickets available here
https://www.eventbrite.com/e/ridgefield-independent-film-festival-riff-tickets-21724005084